chandeliers - Cross Stitch Crazy 220

The new issue of Crazy hits the shops tomorrow but I got my subs copy a couple of days ago and decided this morning to tear myself away from the latest commission (it`s a Maria Diaz and I`m having so much fun with it, it`s hard to put it down!) to share some pics here of the chandeliers I`d stitched a few months ago. They were designed by my Technical Editor, Fiona Baker and were, in a way, an experiment, to see how jewellery beads would work - as opposed to the more customary Mill Hill beads that we usually see on cross stitch projects. I`m happy to report that the large beads were great fun to work with: I enjoyed that I didn`t have to worry about the needle size and also the challenge of finding the best way to secure them to the fabric so that they`d stand upright and glimmer as they`re supposed to. And I`m glad to see that - with the exception of one or two rebels that must have fallen on their faces in transit, lol! - I`ve succeeded. :)

I love the finishes too, these metallic hoops look great! :)

And since this is Cross Stitch Crazy, the only magazine that publishes the stitcher`s name, I can have my 15 minutes of fame too:

Not to mention that - albeit anonymously this time - I provided another pic for this issue: the pub signs I stitched for Twilleys of Stamford are among the recommended kits in the Sherlock Anne section of the magazine - yay! :) Happy stitching, folks!

Lesley Teare`s cottage teapot and some Twilleys

Well hello, peeps - the weary traveller has returned. ;) The holiday was great and a lot has happened since then too: firstly, the shoe sampler I`d teased you with in my last post got bumped up into a later issue of Collection; at the same time, I stitched a cute ties (as in `neckties`) alphabet by Rhona Norrie for Cross Stitch Crazy that, it seems now, will be in next month`s WOCS; however, there is the cottage teapot that was supposed to be in that issue and is now brought forward to 242 - and if you think you`re confused, imagine how I manage to follow all this, I who actually have to think for long minutes every morning about what day of the week this is.

So the cottage teapot. What can I say? Dream project. So much detail to keep it interesting, not an overwhelming amount of colours or backstitch and it`s cute to boot, what more does the stitcher need? Hehe, maybe that`s why it`s this month`s Stitcher`s Challenge...? ;) It took 48 hours to complete and I loved working on the evenweave, plus I distinctly remember that the BS on the roof felt positively therapeutic. So all in all, good memories - and a wonky photo:

Luckily, there`s a much better one in the mag (love the pink mat, I`d never have thought of choosing this colour but it complements the flowers on the handle beautifully):

And apropos my wonky pics vs. professional photos: yesterday I had a look at the Thomas B. Ramsden site here to see if any of the projects were available yet that I`d stitched for Twilleys of Stamford - and there is an abundance of them! So here`s a wee photo album and for comparison`s sake, I chose the worst of my lot, sometimes the back of a project or a pic that was taken in pitch dark, just to accentuate how much better the other ones are. ;) Hope you`ve all had a great Spring break, happy stitching! :)

Clearly (?), here I was experimenting with taking photos of phone cases out of focus...

Ah, that`s much better!

The back of my perfume bottles...

... and the finished article

My two pub signs in the twilight...

... beautiful in their frames

Two little sweet pea designs...

... turned into two sweet (pea) hangers

A pair of designs entitled Weekend and Weekday...

... and this is what they look like with the backstitch detail added

A wee tapestry for a change ;)

`Lush Meadow`

And, finally, a larger tapestry (the wee man`s there for scale, lol)

And the beautiful end product, a rose cushion :)